The Lavotondro "Empreinte" exhibition opened its doors yesterday at La Teinturerie, offering an encounter between traditional plastic art and installation design through the vision of three Malagasy artists. Matter takes precedence over technology. With Lavotondro "Empreinte", La Teinturerie proposes an immersion into a universe where paintings, sculptures and installations dialogue to offer a new reading of contemporary Malagasy art. The opening, organized yesterday in early evening and accompanied by an artistic performance by Tarika Sammy, marked the launch of an exhibition that places textures, materials and spatial arrangement at the heart of creation. Far from technological devices, Lavotondro "Empreinte" privileges a sensitive and immersive approach. Each work integrates into the exhibition space to create a journey where matter becomes the primary artistic language. This fusion between traditional plastic arts and installation design invites visitors to rediscover the forms, volumes and imprints left by the artists. Collective Creation. This exhibition brings together three Malagasy artists: Ralf Ariveloo, Loony Stam (Njaka Hanitriniony Randrianarisoa) and Jérémie, whose universes complement each other to give birth to a collective creation. A figure of contemporary Malagasy art, Loony Stam is a painter, sculptor and avant-garde plastic artist. Known for his approach inspired by raw art and recycling, he develops a bold style and uses several artistic alter egos to freely explore different forms of expression. Alongside him, Ralf Ariveloo, contemporary plastic artist, actively participates in the dynamism of Antananarivo's artistic scene through his creations. Jérémie completes this exhibition by bringing his vision and sensitivity to this dialogue between painting, sculpture and installation. Through Lavotondro "Empreinte", the three artists invite the public to reflect on the traces left by artistic creation, while highlighting the richness of materials and the importance of space in the work. The exhibition thus testifies to the renewal of contemporary Malagasy art and the diversity of expressions that animate today's national artistic scene.